Nell’ambito del post-industrial, versante esoterico, non solo italico, i primi due lavori di Capricorni Pneumatici hanno notevole rilevanza. Le cassette erano complementari, uscirono entrambe nell’87 per la propria 666, e ospitavano le sessioni che il duo milanese aveva esperito all’interno di un luogo sotterraneo chiamato The Cave, in due giorni …

With a project name taken from a book by Aleister Crowley and an instrumentation consisting of compressors, PVC pipes, hammers, buckets, water, steel, aluminum bottles and all kinds of metal and plastic junk, we do not have to make a drawing that Capricorni Pneumatici does not produce everyday sounds. … …

“Banging around in a massive concrete tank is about as industrial as a motherfucker can get. Incredible use of field recordings turned into something more tangible and composed. Also impressive, this dates back to 1987, yet holds its own if not surpasses most modern attempts of a similar design.”

… Here, the recordings were made in an underground assembly of cement tanks that serve not merely as a backdrop but as an integral component of the sound. The tanks varied in size and were equipped with openings above and below ground level. This architectural peculiarity provides the album with …

… Nel buio abissale della memoria sotterranea dell’underground degli anni ’80 risuona ancora l’eco primordiale di Al-Azif, il secondo lavoro dei Capricorni Pneumatici. Un’opera intrisa di mistero e fascino, registrata in un luogo segreto, una sorta di cattedrale del suono sotterraneo, dove il cemento vetrificato cela le vibrazioni di un’esperienza …